How to Find your Thing – Art Medium, Subject, Style

How to Find your Thing - Art Medium, Subject, Style | Creative Exploration | creative process discovery
A while back I read an article about an artist who used mannequin parts in her work. I was so inspired by the story! (Not to start creating with mannequin parts.) I was so intrigued that this artist had arrived at a place where this was her thing. How did she get there?

At the time, I had been dabbling in a few continuing ed art classes, but was ready for more. What would I work on if I was totally free to work on anything? If I was free from teachers and classmates, and even the confines of a classroom, what would I create?

It was with this curiosity and excitement that I made My Creative Resolution – the commitment and the blog – and began my creative journey. I was filled with so many ideas and possibilities. I began to create regularly and explore.

In the beginning I wished my work was more cohesive. I was all over the place. Now I know, that’s how you start – by trying everything that interests you – subjects and mediums alike.

Some things are passing fancies, others become common themes that connect your work. The more we persist with a medium, the more time we put in, the more our unique style and skills emerge.

Here is how to find your thing – medium, subject, style:

  • Commit your time to pursuing it.
  • Put in the work regularly.
  • Follow what interests you and try different things.
  • Focus on the mediums and subjects that appeal to you.
  • Continually put in the work.

Ready to find your thing? “Creative Exploration” takes you step by step through the process for introducing regular creativity into your life, finding inspiration, and exploring mediums.

Learn more about Creative Exploration: A Six Week Process for Introducing Regular Creativity into your Life by clicking here.

Creative Exploration book -

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Know your Subject

Knowing your subject when painting | painting the ocean
I often think about an online class I took by Val Webb called “Drawing Children.” At the time, I was amazed at how well Val knows the nuances of the faces and figures of children. Now as I paint the ocean – almost exclusively, mostly in watercolor, but recently in acrylics – I think about not just the techniques to make the painting look realistic, but the characteristics of the ocean.

As I was painting the water, specifically the foam at high tide, I was painting and pulling back the strokes, because I was thinking about how the water is being pulled back by the tide. This is something you wouldn’t know just by looking at a photo. All the time I’ve spent at the beach might be making a difference in my painting. Last summer, after painting the ocean all winter, I looked and observed the water differently than before.

Work in progress where I was “pulling back”
Know your subject - painting the ocean

My son recently asked if I was going to paint anything else. I guess to him, every painting is similar. To me I’m learning with each painting. The ocean looks so different at different times and different angles. I’m sticking with the ocean, and I’m currently challenging myself by working to capture this amazing subject in acrylics.

Click here to view my collection of watercolor seascapes. Prints are available on watercolor paper or canvas, in many sizes.

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