my creative resolution

Painting, Illustration, Surface Design, and Animation


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Modern Calligraphy

Modern calligraphy
I took a modern calligraphy workshop over the weekend. I’ve been interested in hand lettering for a while now. A few years ago I took an online lettering class where I used a brush marker – a Tombow, which is a flexible marker that can produce thin lines as well as thick lines when you apply pressure.
My brush marker practice sheets:
brush lettering with a Tombow marker

This weekend was the traditional route with a calligraphy pen with a nib, ink, and an ink well for dipping. It was interesting, in this day of online learning, to be sitting at a table, chatting with a group of strangers. It’s one of the elements you don’t get with learning online. The person on your left saying to you, “That looks great!” Although three hours seems long, the class flew by. The teacher, Christie Jones of Swell Anchor Studios, was really nice and thorough, demonstrating the steps to create each letter on a blackboard. Another benefit to learning in person, Christie and her sister, walked around answering questions, and offering help and suggestions as we worked – things like proper posture, holding the pen correctly, and the amount of pressure to apply.

The main takeaway was – as with anything – if you want to get good at it, you have to practice. The workshop included all the supplies and materials needed to practice at home, which is great. Christie also has a closed Facebook group for those that have taken the class. She encouraged us to share our work online and reach out to her whenever we hit a snag.

If you are interested in learning calligraphy and an “in person” workshop doesn’t work for you, Christie recommends the book Modern Calligraphy: Everything You Need to Know to Get Started in Script Calligraphy by Molly Super Thorpe.

Supplies you’ll need:

I want to incorporate lettering into my paintings. I’m hoping to use what I learned and apply it to lettering with a brush and watercolor. I’ll keep you posted on my progress!

 

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My new newsletter… “My Creative Collection” …Sign up now

img_2023For 3 years and over 400 posts, I have shared my creative journey with you, but there is so much more I want to share! So I’ve decided to start an email newsletter. It will be a collection of all the things that inspire me… “my creative collection.”

My newsletter will contain – artists and makers, places, crafts and art mediums, tutorials, podcasts, interesting articles, and more. All the things that inspire me, and will hopefully inspire you! The first issue is due out early March! Sign up here so you don’t miss it.

😀 Eileen


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Developing a process for painting

Beach painting developing a process
There is a real benefit to painting the same subject over and over. You get better at it, you get faster. I noticed this the other day when I painted a complete beach scene from start to finish in one sitting. I had such a sense of accomplishment!

Before this, I was still figuring things out as I painted the beach. I often had several paintings going at once, adding details here and there and working on getting the water to look right. Working it and reworking it. This time when it was so easy, I was literally stunned. How’d I do that?

Later on I realized I had developed a process for painting the beach. I knew the steps I had to take to achieve a certain look. There was no uncertainty or figuring out how to make a section of the water better.

My Process for painting the beach

  1. Colors  – mixes of blue, yellow, and red
  2. Tape across for the horizon
  3. Paint the ocean water closest to the horizon darker and bluer
  4. Water in the cresting wave is lighter and greener
  5. Water in front of the wave is a darker shade of the green
  6. Water gets browner – more red – closer to the shore
  7. Add white gouache for foam and spray. More foam closer to shore.
  8. Sand is darkest closest to the water
  9. The foam of the breaking wave has shadows in it
  10. Sky is lighter closest to horizon

I’m still working to incorporate figures into the water. It would be great to develop a process for that! I’m still “figuring them out.” But I know if I paint the figures again and again, it will get easier.

Read:
14 tips on painting waves in watercolor


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Beach Heart

Beach Heart paintingPainting this beach heart was as peaceful and relaxing as sitting on the beach itself. Before I sat down to paint I was looking through my work for something to post on Valentine’s Day. I usually don’t post things from my archives – not that there is anything wrong with that. It just sometimes feels disjointed from what I’ve been working on.

With Valentine’s Day and hearts on my mind, I sat down to paint and thought of a beach scene in the shape of a heart. I think practicing, and working out a process for painting the beach, was a great help in painting the heart from start to finish in one sitting. Ah the sense of accomplishment!

Have a happy Valentine’s Day!

14 tips on painting waves in watercolor

 


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New life for an old project

claddaghfairy

I’ve become obsessed with Pinterest lately. I guess it started when I designed my Nutcracker pin and was pinning other types of nutcrackers. I pin to my Beach board – other paintings of the beach, beach decor, etc. Pinterest is really a great place to collect ideas. I’ve also been pinning ideas for holidays like Valentine’s Day, St. Patrick’s Day, and Easter. It’s very inspiring. The real trick is to turn all that pinning into creating!

This year I haven’t really done much for Valentine’s Day. Years prior, I’ve painted, block stamped, and even created string art. I’ve been too focused on my beach painting project and didn’t want to lose focus. In looking ahead to St. Patrick’s Day, I decided to go through my previous artwork and perhaps design a fabric print in the Irish theme. As I dug through a bin of old projects I found “The Claddagh Fairy,” a book I wrote and worked hard to illustrate when I first started this blog. I put a lot of time effort into the book. I even had a doll made! What a shame that it is sitting in a bin.

irishmeadow

claddagh fairy doll 2

With St. Patrick’s Day a little over a month away, I decided to dust off the book and release it into the world by self publishing it. It’s not about the possibility of book sales, it’s about finishing and sharing a project I worked hard on. I find tight deadlines very motivating, so I’ve been working these past few days, tweaking the story, finishing the artwork, and preparing the files for printing. Even though I’m a graphic designer, I’ve never self published before, and it’s overwhelming. I found a great, very detailed post about it. If self publishing is in the back of your mind – read it here.

Even as I write this, it still seems impossible that I’ll get this done, that the files will be right, the dedication will be in the right place, etc. But, I’m committed to seeing this through, until “The Claddagh Fairy,” is part of the Amazon collection. The luck of the Irish would come in handy right now.


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Adding beach bodies to my paintings

Painting figures on the beachI’m proud of the progress I’ve made since starting to paint the beach on January 1st. I feel as if I’m finally capturing the movement of the waves. But something has been missing. Around here on a beautiful summer day the beaches are packed with people. Sometimes we struggle to find a good spot down by the water.

So, I’ve been collecting my photos that include people and trying to incorporate them into my paintings. Last night I did some loose brush sketches. Painting figures in my sketchbook

Today, I worked on refining the water in a painting where I had penciled in several people. Then I erased the pencil lines and using a watercolor pencil drew in the figures so I knew where to add paint. Figures don’t come easy to me and I have to work at a figure to get it right. Watercolor pencils are great because it’s easy to “erase” your lines by wetting them. You can mix the lines into the other colors or absorb them onto your brush.

I’m hoping if I focus on beach bodies for a while, I’ll see progress, like I’ve seen with my waves.

Here’s my favorite wave painting so far. Painting waves in watercolor

Have your read these posts yet?
 19 Books for Creatives 11 Art Supplies I can't paint without

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19 Books for Creatives

19 Books for Creatives

 Show Your Work: 10 Ways to Share your Creativity and get Discovered
by Austin Kleon

This book was a huge motivator for me. I started out shy and embarrassed to share what I was making. I realized sharing is part of the process of “self discovery.”

“In chapters such as You Don’t Have to Be a Genius; Share Something Small Every Day; and Stick Around, Kleon creates a user’s manual for embracing the communal nature of creativity― what he calls the “ecology of talent.” From broader life lessons about work (you can’t find your voice if you don’t use it) to the etiquette of sharing―and the dangers of oversharing―to the practicalities of Internet life (build a good domain name; give credit when credit is due), it’s an inspiring manifesto for succeeding as any kind of artist or entrepreneur in the digital age.”

Steal Like an Artist: 10 Things Nobody Told You About Being Creative
by Austin Kleon

Kleon’s advice is so inspiring, “Nothing is original, so embrace influence, collect ideas, and remix and re-imagine to discover your own path. Follow your interests wherever they take you.”

“You don’t need to be a genius, you just need to be yourself. That’s the message from Austin Kleon, a young writer and artist who knows that creativity is everywhere, creativity is for everyone. A manifesto for the digital age, Steal Like an Artist is a guide whose positive message, graphic look and illustrations, exercises, and examples will put readers directly in touch with their artistic side.”

Making Art a Practice: How to Be the Artist You Are
by Cat Bennett

One of several of my favorite quotes from the book, “Here is where we are right now, so we go from here. We begin with one small step…It’s in doing the work that we see the next step.” This is something I need reminding of often.

“Helping artists catapult into further action, this guide is a treasury of insight and inspiration. Rather than focus on art techniques that build skills or overcome creative blocks through playful activities or writing, this guide walks the artist through exercises designed to develop the personal qualities critical to being an artist in the world, such as courage, the ability to look and see, and connection to the true creative self. This is a hands-on, experiential action book designed to get the reader creating art and exploring a variety of possibilities for being an artist. According to the teachings of this handbook, engagement with art is less about end results or products and more about the self-awareness and competence that frees the artist to seek out and create work that is vital.”

Big Magic: Creative Living Beyond Fear
by Elizabeth Gilbert

“A must read for anyone hoping to live a creative life… I dare you not to be inspired to be brave, to be free, and to be curious.”
— PopSugar

“Gilbert offers potent insights into the mysterious nature of inspiration. She asks us to embrace our curiosity and let go of needless suffering. She shows us how to tackle what we most love, and how to face down what we most fear. She discusses the attitudes, approaches, and habits we need in order to live our most creative lives. Balancing between soulful spirituality and cheerful pragmatism, Gilbert encourages us to uncover the “strange jewels” that are hidden within each of us. Whether we are looking to write a book, make art, find new ways to address challenges in our work, embark on a dream long deferred, or simply infuse our everyday lives with more mindfulness and passion, Big Magic cracks open a world of wonder and joy.”

Art Before Breakfast: A Zillion Ways to be More Creative No Matter How Busy You Are
by Danny Gregory

I love the easy reading of this book, with plenty of illustrations throughout. It is filled with “zillions” of ideas on how to be creative, that you can fit into any lifestyle.

“Packed with the signature can-do attitude that makes beloved artist Danny Gregory a creativity guru to thousands across the globe, this unique guide serves up a hearty helping of inspiration. For aspiring artists who want to draw and paint but just can’t seem to find time in the day, Gregory offers 5– to 10–minute exercises for every skill level that fit into any schedule—whether on a plane, in a meeting, or at the breakfast table—along with practical instruction on techniques and materials, plus strategies for making work that’s exciting, un-intimidating, and fulfilling.”

Your Inner Critic Is a Big Jerk: And Other Truths About Being Creative
by Danielle Krysa

I know all about my inner critic holding me back! It’s nice to hear I’m not alone and learn ways to tell it to be quiet.

“This book is duct tape for the mouth of every artist’s inner critic. Silencing that stifling voice once and for all, this salve for creatives introduces ten truths they must face in order to defeat self-doubt. Each encouraging chapter deconstructs a pivotal moment on the path to success—fear of the blank page, the dangers of jealousy, sharing work with others—and explains how to navigate roadblock. Packed with helpful anecdotes, thoughts from successful creatives, and practical exercises gleaned from Danielle Krysa’s years of working with professional and aspiring artists—plus riotously apt illustrations from art world darling Martha Rich—this book arms readers with the most essential tool for their toolbox: the confidence they need to get down to business and make good work.”

The Artist’s Way: A Spriritual Path to Higher Creativity
by Julia Cameron

My friend, a poet, had gotten off track with her writing as she spent time promoting her book and teaching. This book motivated her to start her “morning pages.” Now, she is on fire with creativity. This book was the spark she needed to get back to her craft.

“The Artist’s Way is the seminal book on the subject of creativity. An international bestseller, millions of readers have found it to be an invaluable guide to living the artist’s life. Still as vital today—or perhaps even more so—than it was when it was first published one decade ago, it is a powerfully provocative and inspiring work. In a new introduction to the book, Julia Cameron reflects upon the impact of The Artist’s Way and describes the work she has done during the last decade and the new insights into the creative process that she has gained. Updated and expanded, this anniversary edition reframes The Artist’s Way for a new century.”

Medium Specific

Once Upon a Piece of Paper
by Andrea D’Aquino

My neighbor talked for years about wanting to work in collage. I gave her this book and a week later she was showing me her first collage – a conceptual piece with sentimental items used in it. I was beyond impressed!

“A 112-page paperback book plus a pad of 100 unique collage papers on two-sided sheets, all inside of a beautiful hardcover case with an elastic band. Find out how layers of simple paper can create mysterious and beautiful worlds within worlds through the art of collage. Once Upon a Piece of Paper: A Visual Guide to Collage is a dynamic mix of art-making wisdom, creative inspiration, and fun activities to guide curious artists on the art of collage. Readers are treated to a simple yet sophisticated “look and learn” approach, all in a very special package.”

Thanks for the recommendation Crystal Moody.

The Acrylic Painter’s Book of Styles and Techniques
by Rachel Rubin Wolf

As a mostly self taught artist, I loved reading about how different artists approach their painting process in such different ways. It made me feel there is no “right” way.

“Instructive and inspirational, this book brings together the diverse styles of seven top acrylic painters to illustrate the versatility and creative excitement of acrylics. You’ll learn their tips, tricks, and techniques in 28 step-by-step demonstrations. Each artist’s section ends with a brilliant gallery of finished work.”

Self Improvement

Better Than Before: What I Learned About Making and Breaking Habits – to Sleep More, Quit Sugar, Procrastinate Less, and Generally Build a Happier Life
by Gretchen Rubin

Understanding the power of habits is key to your creative practice. I was having the hardest time trying to will myself to sit down and paint when I happened to pick up this book and realized I had gotten out of the habit of creating. Learning about habits has helped me get back on track and stay on track with my creative practice.

“The author of the blockbuster New York Times bestsellers, The Happiness Project and Happier at Home, tackles the critical question: How do we change? Gretchen Rubin’s answer: through habits. Habits are the invisible architecture of everyday life. It takes work to make a habit, but once that habit is set, we can harness the energy of habits to build happier, stronger, more productive lives. So if habits are a key to change, then what we really need to know is: How do we change our habits? Better than Before answers that question.”

An Enemy Called Average
by John Mason

I often wondered, “What holds me back?” And that was the reason I picked up this book. Mason writes, “If you want a place in the sun, expect blisters.” That hit the nail on the head. A fear of criticism held me back. Expecting criticism as a part of life, has been very freeing.

“This is the new, updated and expanded version of the national best-selling book, An Enemy Called Average, originally published in 1990. Stand Out – Don’t Blend In! Within every person is a desire to be fully who they were created to be. No one really wants to just get by. Regardless of where you are in life, how much you have or have not accomplished, God is not finished with you yet! Divided into 52 nuggets of truth, An Enemy Called Average is a source of godly wisdom, scriptural motivation, and practical principles. The words of this book will stir up the gifts and dreams within you. Instead of digging through ten pages to find one good idea, you’ll find ten good ideas on every page. Think about it… Your problem is your promotion. Worry is interest paid in advance on something you may never own. The faith to move mountains always carries a pick. People are born originals, but most die copies. Ideas go away, but direction stays. Stop every day and look at the size of God.”

Inspirational

In the Company of Women
by Grace Bonney

I am a huge fan of Design Sponge’s Grace Bonney. I just finished listening to the archives of her podcast – After the Jump – and immensely enjoyed her interviews and learned so much from them. I ordered my copy of this book and know it will be a perfect extension of her informative, inspirational podcast.

“Across the globe, women are embracing the entrepreneurial spirit and starting creative businesses. In the Company of Women profiles over 100 of these influential and creative women from all ages, races, backgrounds, and industries. Chock-full of practical, inspirational advice for those looking to forge their own paths, these interviews detail the keys to success.”

On Writing: A Memoir of the Craft
by Stephen King

I loved this book. A combination memoir and look into his writing process, this book tells King’s story, facing many rejections, and also gives an in depth look into his writing process. He compares writing a book to unearthing the fossils of a dinosaur – even he doesn’t know the ending until he is finished writing it.

“Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer’s craft, comprising the basic tools of the trade every writer must have. King’s advice is grounded in his vivid memories from childhood through his emergence as a writer, from his struggling early career to his widely reported, near-fatal accident in 1999—and how the inextricable link between writing and living spurred his recovery. Brilliantly structured, friendly and inspiring, On Writing will empower and entertain everyone who reads it—fans, writers, and anyone who loves a great story well told.”

For the Creative Entrepreneur

Art, Inc.: The Essential Guide for Building Your Career as an Artist
by Lisa Congdon and  Meg Mateo Ilasco

I am a huge fan of the Author, Illustrator Lisa Congdon. This book is a great collection of all the ways you can turn your creativity into a business.

“You don’t have to starve to be an artist. Build a career doing what you love. In this practical guide, professional artist Lisa Congdon reveals the many ways you can earn a living by making art—through illustration, licensing, fine art sales, print sales, teaching, and beyond. Including industry advice from such successful art-world pros as Nikki McClure, Mark Hearld, Paula Scher, and more, Art, Inc. will equip you with the tools—and the confidence—to turn your passion into a profitable business.”

Creative, Inc.: The Ultimate Guide to Running a Successful Freelance Business
by Meg Mateo Ilasco and Joy Deangdeelert Cho

I love all the books in this series.

“This book will teach all types of creatives illustrators, photographers, graphic designers, animators, and more how to build a successful business doing what they love. Freelancing pros Meg Mateo Ilasco and Joy Deangdeelert Cho explain everything from creating a standout portfolio to navigating the legal issues of starting a business. Accessible, spunky, and packed with practical advice, Creative, Inc. is an essential for anyone ready to strike out on their own.”

Blog, Inc.: Blogging for Passion, Profit, and to Create Community
by Meg Mateo Ilasco and Joy Deangdeelert Cho

If you are a creative, you probably blog about your work and process. In this book Joy Cho, a successful blogger, who among other things designs lines for Target – offers her insights on blogging. Joy started blogging between jobs and it became her job!

“This authoritative handbook gives creative hopefuls a leg up. Joy Cho, of the award-winning Oh Joy!, offers expert advice on starting and growing a blog, from design and finance to overcoming blogger’s block, attracting readers, and more. With a foreword from Grace Bonney of Design*Sponge plus expert interviews, this book will fine-tune what the next generation of bloggers shares with the world.”

The 4-Hour Workweek: Escape 9-5, Live Anywhere, and Join the New Rich
by Timothy Ferriss

Everyone should read this book about working smarter not longer and harder.

“Forget the old concept of retirement and the rest of the deferred-life plan–there is no need to wait and every reason not to, especially in unpredictable economic times. Whether your dream is escaping the rat race, experiencing high-end world travel, or earning a monthly five-figure income with zero management, The 4-Hour Workweek is the blueprint.”

The $100 Startup: Reinvent the Way You Make a Living, Do What You Love, and Create a New Future
by Chris Guillibeau

I love learning about how other people started their businesses and even more appealing are stories where people didn’t need to borrow tons of money to start successful businesses. This book is very inspiring!

“Here, finally, distilled into one easy-to-use guide, are the most valuable lessons from those who’ve learned how to turn what they do into a gateway to self-fulfillment. It’s all about finding the intersection between your “expertise” – even if you don’t consider it such — and what other people will pay for. You don’t need an MBA, a business plan or even employees. All you need is a product or service that springs from what you love to do anyway, people willing to pay, and a way to get paid.”

Stop Thinking Like a Freelancer: The Evolution of a $1M Web Designer
by Liam Veitch

Whatever your area of work, this book is about becoming more successful by simply changing your mindset from freelancer to business owner.

“This book dives deep on making freelancing more stable, beating “treading water” cycles, repelling ‘bad apple’ clients, multiplying online exposure and follows the journey of Liam, with honest, clear advice and guidance from laptop and rented desk to $1m web agency.”

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Painting within a theme for 31 days

Painting the beach my 31 day projectThis month I worked almost daily painting the beach. It’s a place that is very close to my heart. I grew up just a few blocks away from it. My mom referred to it as our backyard. I played there, I worked there, and eventually brought my own kids there.

That's me on the left, age 3 or 4

That’s me on the left, age 3 or 4.

I learned a lot this month. I’ve tried different techniques to capture the foam of the ocean – leave the white of the paper, use a white gel pen, use lots of white gouache. I’ve used different blues in my ocean mixture. I painted landscapes, as well as people close up. But, I feel it’s just the tip of the iceberg. There is so much more for me to learn and explore within this theme. So, not surprisingly, I’m continuing with my beach painting project. It probably would have been better to declare this a 100 day project from the start. Although that would have been a bit intimidating.

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I Used to be a Quitter

Painting waves. Sticking with it.I would start a creative project and if it didn’t immediately “work out” I would quit, thinking, “I can’t do this.” When I made my creative resolution 3 years ago, I suddenly felt more accountable. If I didn’t finish a project what would I write about? I began finishing the drawings and paintings I started. I even pulled out canvases long ago abandoned and finished them. Suddenly I had momentum and a building confidence.

Yesterday I began a painting of the ocean from a photo I took. I’m always excited and hopeful at the start. I tried to capture the different colors of the waves and it looked…awful. I almost took the painting and tossed it aside. It reminded me of those frustrating times when my vision and the painting in front of me didn’t match up and I would quit when I’d barely started. This time I persevered and continue to work on the painting. This is what I love about watercolor, that you build the layers up and work at the painting to transform it. As I worked I wondered what has changed from those days when I had piles of unfinished paintings?

What do I have now that I didn’t have then?

  • Determination – I want to make the painting work.
  • Dedication – I make time for painting almost every day, because it is important to me.
  • Confidence – I no longer accept that I do or don’t have the talent. Instead I know that if I continue to work I will be better than I was.
  • Experience – The more I paint the more I learn. I have a process and techniques that I use, and as I learn and try new things I add to this.
  • History – I have had paintings that I’ve deemed a success. This helps quiet the “I can’t do it.”
  • Knowledge that there usually is an ugly stage. It has to look bad before it looks good.
  • Lack of pressure – I don’t stress about the final result.
  • Enjoyment – I enjoy the process, of working at it, of learning with each painting.


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Having the time to experiment

Adding details with a white gel pen
Almost a month focusing on one theme has given me time to try new techniques and tools, including:

  • Using a white gel pen to add the foam of the ocean
  • Mixing different color combinations for the ocean and sand
  • Adding white gouache to my skin tone mixture for a creamier look
  • Using painter’s tape to achieve a straight horizon line

Straight horizon with painter's tape

Some of these ideas I get from others like the painter’s tape tip and the white gel pen. It has become part of my style to add details with a black gel pen. But when I paint an ocean landscape the black ink seems to dark. It just doesn’t work. A few months ago I saw a post – I wish I could track down this source! – of an artist using a white gel pen when painting the ocean. Wow, that might be the answer to my dilemma! I didn’t hesitate and ordered the pen. It sat relatively unused until today.

I find the foam a bit of challenge and the gel pen is a unique way of handling it. I was hesitant to use it, preferring to leave areas white for the foam. But this particular painting wasn’t going so well and I thought, “What do I have to lose?”

I really like how I could scribble away and create the look of the foam. One book I read recommends using masking fluid to keep the foam areas white. Personally I’m not that much of a planner or that meticulous. I like to wing it a bit. That’s probably why I love painting in watercolor so much. It’s not so permanent. You can add in one area, and take away in another, and continue to work at a painting – that may not be going well – and possibly turn it into something beautiful.

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