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Soaking up Inspiration

Soaking up inspiration for the next seascape painting
It’s hard to know what I enjoy more, a visit to the beach or time spent painting. Recently I did both in the same day. Obviously it was a good day.
Beach day by Eileen McKenna
Beach day by Eileen McKenna shadow in the foam
The beach visit was an early morning one with my husband and coffee. Love those.

The painting session – which took place at home later on – was with acrylics on canvas, instead of my usual watercolor. I’ve been itching to get back to acrylics. I worked on a canvas I had already started, and was able to finish it, which felt great.
Acrylic seascape painting by Eileen McKenna

I’m looking forward to another day like this one!

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More Confidence with Acrylics on Canvas

More Confidence with Acrylics on Canvas | tips on painting seascapes
I’m back to painting with acrylics on canvas (instead of my usual watercolor). It was last May that I bought a stack of small canvases and painted seascapes on them – learning with each set. Since then, I’ve dabbled here and there with acrylics.

This time around, I feel more confident and freer. I was thinking about why that was, and I figured it out. When starting with a brand new canvas, I feel pressure about the final product. Since I’ve been reusing old canvases, it has felt like play. I feel free to learn and experiment. I’m not as worried about the final product or about making mistakes. And if I don’t like something, I’m diving back in to change it. In the painting below, the horizon was so high up the perspective felt weird and unnatural, so I lowered it.

Years ago in a drawing class I created a drawing of a bear that we loved. It was an awkward size and was expensive to have custom framed. After that I began mapping out the frame sizes of my drawings before even starting them! The pressure of creating frameable pieces paralyzed me. I was afraid to make a mark and ruin a drawing. When I realized what I had done to myself, I began approaching my drawings and paintings as play. It was so freeing. But it’s easy to feel free with paper. The weight of a canvas did the same thing to me!

I just went to the art store for new paint and brushes. Eventually I’d like to create a 2 panel painting for over the couch, but I didn’t buy the canvases yet. I’m going to continue playing with the canvases I have, until I feel ready.

Prints and original seascapes are available on my website shop.eileenmckenna.com Come visit 🙂

 

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Practice makes Progress

Acrylic seascape by Eileen McKenna | painting waves
Above my most recent acrylic seascape.

When I was younger and had less confidence in my artistic abilities I was hung up on talent. Nowadays I think of talent as just a starting point. It is almost irrelevant because if you work at drawing or painting, or whatever medium suits you, you will get better. I saw this in myself and in others (both online and in person). As I continue to paint my seascapes in acrylic paint (vs. my usual watercolor) I see how I have progressed. When I notice areas in a painting that need work, I try to improved them, or I think of ways to enhance these areas in the next painting. 

My first acrylic seascapes:
Transitioning from watercolor to acrylic
Click here to view my collection of watercolor and acrylic seascapes.


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Acrylic Seascape Details

creative newsletter featuring artists crafts tutorials books shows and more | creative inspiration

I brought this painting back to life today. Here’s how it looked this morning. 👇

I was going for a simpler look, but it was falling flat. Adding details, using a reference photo made all the difference.

Details I added:

  • Clouds in the sky – I used an acrylic gel medium to thin out the paint and overlay colors for a more transparent look.
  • Sunlight on the ocean
  • More spray in the crashing wave
  • Shadows in the front of the crashing wave – I used an art sponge, to make the shadows in the crashing wave look more natural.
  • An dark line beneath the edge of the foam

Acrylic seascape by Eileen McKenna

I also used an art sponge, to make the shadows in the crashing wave look more natural.
Art sponge makes more natural looking shadows when painting waves
I’m happy with today’s progress. 🙂

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Learning Acrylics

Acrylic seascape by Eileen McKenna

In May I switched from painting in watercolor to painting acrylic seascapes. I painted ten 12” x 12” canvases – intent on getting comfortable with the different medium. It was so frustrating in the beginning, but with each painting I learned something. I’ve pulled out the acrylics again – this time with bigger canvases, and I’m reminded of what I learned so far.

What I’ve learned about acrylics:

  • A coat of gesso makes the paint go on easier
  • When your brush starts to split – you need more water
  • When your brush is drippy – that’s too much water
  • Blend the colors next to each other for a more natural look
  • Blending works best when both colors are wet
  • It is better to work when the paint on the canvas is wet and you have plenty of your colors mixed and ready
  • Add highlights by adding white paint (or lighter paint) to your brush and blending it with the wet paint on the canvas
  • To thin the paint and overlay colors use  acrylic gel medium.
  • Use little canvases (or a canvas pad) to test color mixes
  • Painting in acrylic involves more set up and prep than watercolor. And more clean up.
  • Using a sheet from a palette pad – taped to your palette – makes clean up easier!
  • It is not as easy with acrylics to make a quick fix or change
  • Using painter’s tape for a straight horizon line presents some challenges. The paint can accumulate at the tape creating an edge.

Click here to view my collection of watercolor and acrylic seascapes.

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Confidence in painting

Confidence in painting
The other morning I sat down to paint in an effort to turn my bad mood around. As I was painting, and not feeling great about myself, I was thinking how much confidence plays a part in painting. When you are feeling good, you are hopeful about the outcome of a painting as you work. But when you are feeling low, it’s easy for negative thoughts to sabotage your work. At these times it’s even hard to motivate to sit down and paint in the first place.

Thankfully, painting did help turn my mindset around and most of the things bothering me either worked themselves out, or proved to not be as bad as I let them seem.

A few days later I was reading Chip Gaines’s book “Capital Gaines: Smart Things I Learned Doing Stupid Stuff.” Chip, along with his wife Joanna, starred in HGTV’s Fixer Upper. Chip’s book is about their story, and is also very motivational. Because of my recent thoughts on confidence and painting, this quote really spoke to me:

Capital Gaines: Smart Things I Learned Doing Stupid Stuff

I’m glad that I sat down the other morning to paint despite my mood. I know that if you really want something, you have to work at it no matter what, and I’m trying to put that into practice. Check out Chip’s book here.

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Know your Subject

Knowing your subject when painting | painting the ocean
I often think about an online class I took by Val Webb called “Drawing Children.” At the time, I was amazed at how well Val knows the nuances of the faces and figures of children. Now as I paint the ocean – almost exclusively, mostly in watercolor, but recently in acrylics – I think about not just the techniques to make the painting look realistic, but the characteristics of the ocean.

As I was painting the water, specifically the foam at high tide, I was painting and pulling back the strokes, because I was thinking about how the water is being pulled back by the tide. This is something you wouldn’t know just by looking at a photo. All the time I’ve spent at the beach might be making a difference in my painting. Last summer, after painting the ocean all winter, I looked and observed the water differently than before.

Work in progress where I was “pulling back”
Know your subject - painting the ocean

My son recently asked if I was going to paint anything else. I guess to him, every painting is similar. To me I’m learning with each painting. The ocean looks so different at different times and different angles. I’m sticking with the ocean, and I’m currently challenging myself by working to capture this amazing subject in acrylics.

Click here to view my collection of watercolor seascapes. Prints are available on watercolor paper or canvas, in many sizes.

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Comfortable with Acrylics

Going from watercolor to acrylics, painting acrylic seascapes
Starting this third set of canvases was the first time I felt comfortable – instead of frustrated – with acrylic painting. I was working on my first layer, blending all my colors on the canvas, and I had that feeling that I usually have with watercolor. It’s a happy, satisfied feeling, that what you are picturing in your mind is coming out on the canvas. I’m learning how to work the acrylics. I’m getting it. The first layer of this painting felt like a break through.

The first layer:
Going from watercolor to acrylics

What I’ve learned about acrylics so far this month:

  • A coat of gesso makes the paint go on easier
  • When your brush starts to split – you need more water
  • When your brush is drippy – that’s too much water
  • Blend the colors next to each other for a more natural look
  • Add highlights by adding white paint (or lighter paint) to your brush and blending it with the wet paint on the canvas
  • Use little canvases (or a canvas pad) to test color mixes
  • Painting in acrylic involves more set up and prep than watercolor
  • It is not at easy as watercolor to make a quick fix or change
  • It is better to work when the paint on the canvas is wet and you have plenty of your colors mixed and ready

Click here to view my collection of watercolor seascapes. Prints are available on watercolor paper or canvas, in many sizes.

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The second set of Acrylic Seascapes

Transitioning from watercolor to acrylicTransitioning from watercolor to acrylic
With 10 sets of 12” square canvases to complete this month, I have many paintings in various stages. For these 2, the second set of my acrylic canvas challenge, I wanted to add more lights and darks within the green of the wave. (See before below).
From watercolor to acrylic. Seascapes
I’m learning that with acrylics, it is better to work on a whole area of a painting to better blend the paints and create highlights and shadows. To do this, you need all those colors mixed and ready. I realized this yesterday when I tried to just add some highlights. Without the dark paint to blend into, my quick tweak didn’t go well.

Today I sat and mixed the paints and worked on finishing these. I was beginning to regret fussing with the paintings at all – you fix one area, and sometimes ruin another. At a certain point you have to call a painting done, and take what you learned to the next painting. Overall I’m happy with my progress so far this month.

Click here to view my collection of watercolor seascapes. Prints are available on watercolor paper or canvas, in many sizes.

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Blending and fading colors in acrylic paint

Blending colors in acrylic paint
I was so excited to start the second set of acrylic canvases, I dove right in Saturday morning. I had been mulling over what was bothering me about the first set of canvases, as well as what I learned, and I realized these two things perfectly intersected.

I learned about blending and fading color in this video and then saw Katie Jobling painting a wave in this video. My main complaint with my first set of paintings was that the wave and water behind it looked flat. It looked like a solid block of color. I wasn’t successful in adding highlights and darks to it. What I realized was, I needed to paint, from the beginning, a background that wasn’t solids, but blends. And from there I can add more detail – by adding more blends on top.

Blending the colors is working great so far. I’m really happy with my first layer. It is still a challenge mixing the right colors. I don’t like to work straight from the tube as the colors don’t look as natural. I’ve gotten pretty good at mixing colors in watercolor to achieve the palette I want. I’ll keep trying in acrylic. I do need to use more paint! I tend to mix too little. I’m used to watercolor paints where a little paint goes a long way.

For this set I have my reference photo out, so I can look at the highlights and shadows as I paint the blends. I didn’t refer to the reference photo much for the last set, because I wanted the painting to be a little looser. But I think I ended up missing a lot.

Click here to view my collection of watercolor seascapes. Prints are available on watercolor paper or canvas, in many sizes.

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