One Brush, Three Colors and done!

I just finished this painting. I did the entire painting in one sitting with three colors and one big brush. It felt so good to have an idea, follow through and finish. Recently my creative practice has been sporadic. A lot of the creative things I do are tied to work or school. Did I tell you I’m back in school?! I just finished my first year in a Masters in Art Education program. But still, excuses, excuses. 

Acrylic ocean seascape blue gray day

I’ve been ecstatic about this painting since I finished it – which got me thinking. Things are slowing down a bit for summer. This small canvas is so doable. Maybe I could commit to doing one a week? I always do well with a goal and a plan, especially if I do some art supply shopping to motivate me. 

Summer is about 10 weeks, so I’ll aim for 10 canvases but the real goal is to paint every week. I need to take stock of my supplies and make a list. Then it’s a trip to the art store – fun!

I need to remember to be open to inspiration. The painting above was inspired by a recent walk on the beach. That’s my favorite way to work – capturing inspiration when it strikes and painting it.

Any summer creative goals? I’d love to hear!

three color palette for acrylic seascape

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Learning from Others

My painting from Megan Elizabeth’s Acrylic Seascape class

I love watercolor – how you can add more and more water, how easily it spreads on the paper. I occasionally paint with acrylics but find myself struggling with them. They don’t spread as easily and you can’t add too much water because it breaks down the paint. Last weekend I took an online acrylic class “Acrylic Painting: Abstract Landscapes” with Megan Elizabeth, which focused on painting a seascape.

Often I try to figure things out myself, but I thought it would be a fun project for the weekend and might provide some insight into my own struggles with acrylics. The class, which is suitable for beginners, is easy to follow. I enjoyed learning how someone else approaches painting a seascape – which is my favorite subject. The biggest take away for me was observing the paints Megan uses – which are much more fluid than the heavy body ones I have. And she doesn’t mix her colors. She blends on the canvas. I’m always struggling with mixing the right color and then running out and not having enough. Definitely food for thought when I try my next seascape canvas.

Taking a class often reveals nuggets that can enhance your own art practice. They might not even be a key element to the lesson, but have value to you at for where you are in your art practice. I’ll never forget taking Val Webb’s Drawing Children class where she explained the nuances of a child’s face. I realized drawing (or painting) something involves knowing your subject really, really well. I applied this lesson to seascapes and spent more time observing the ocean.  

Ultimately we take advice from others and roll it into the way we prefer to do things. I’ve been watching YouTube videos on how to hold a brush and they reveal differing opinions. It’s good to know other options on how do things and then you can decide what works best for you.

Final painting from my Watercolor Seascape Painting online Class

Soaking up Inspiration

Soaking up inspiration for the next seascape painting
It’s hard to know what I enjoy more, a visit to the beach or time spent painting. Recently I did both in the same day. Obviously it was a good day.
Beach day by Eileen McKenna
Beach day by Eileen McKenna shadow in the foam
The beach visit was an early morning one with my husband and coffee. Love those.

The painting session – which took place at home later on – was with acrylics on canvas, instead of my usual watercolor. I’ve been itching to get back to acrylics. I worked on a canvas I had already started, and was able to finish it, which felt great.
Acrylic seascape painting by Eileen McKenna

I’m looking forward to another day like this one!

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More Confidence with Acrylics on Canvas

More Confidence with Acrylics on Canvas | tips on painting seascapes
I’m back to painting with acrylics on canvas (instead of my usual watercolor). It was last May that I bought a stack of small canvases and painted seascapes on them – learning with each set. Since then, I’ve dabbled here and there with acrylics.

This time around, I feel more confident and freer. I was thinking about why that was, and I figured it out. When starting with a brand new canvas, I feel pressure about the final product. Since I’ve been reusing old canvases, it has felt like play. I feel free to learn and experiment. I’m not as worried about the final product or about making mistakes. And if I don’t like something, I’m diving back in to change it. In the painting below, the horizon was so high up the perspective felt weird and unnatural, so I lowered it.

Years ago in a drawing class I created a drawing of a bear that we loved. It was an awkward size and was expensive to have custom framed. After that I began mapping out the frame sizes of my drawings before even starting them! The pressure of creating frameable pieces paralyzed me. I was afraid to make a mark and ruin a drawing. When I realized what I had done to myself, I began approaching my drawings and paintings as play. It was so freeing. But it’s easy to feel free with paper. The weight of a canvas did the same thing to me!

I just went to the art store for new paint and brushes. Eventually I’d like to create a 2 panel painting for over the couch, but I didn’t buy the canvases yet. I’m going to continue playing with the canvases I have, until I feel ready.

Prints and original seascapes are available on my website shop.eileenmckenna.com Come visit 🙂

 

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Practice makes Progress

Acrylic seascape by Eileen McKenna | painting waves
Above my most recent acrylic seascape.

When I was younger and had less confidence in my artistic abilities I was hung up on talent. Nowadays I think of talent as just a starting point. It is almost irrelevant because if you work at drawing or painting, or whatever medium suits you, you will get better. I saw this in myself and in others (both online and in person). As I continue to paint my seascapes in acrylic paint (vs. my usual watercolor) I see how I have progressed. When I notice areas in a painting that need work, I try to improved them, or I think of ways to enhance these areas in the next painting. 

My first acrylic seascapes:
Transitioning from watercolor to acrylic
Click here to view my collection of watercolor and acrylic seascapes.

Acrylic Seascape Details

Acrylic seascape by Eileen McKenna

Painting Seascapes

Before beginning to work in acrylics, I practiced painting seascapes in watercolor. Although acrylics are different, I found practicing in watercolor to be very useful. I developed a process that, when I switched to acrylics, I could follow. And painting with watercolor on paper is less expensive than using up canvases.

Coastal inspired art | watercolor seascape by Eileen McKenna
Watercolor Seascape by Eileen McKenna

Process for Painting Seascapes

Here is a summary of my painting process. Keep reading for links to more in depth resources.

  1. Mix seascape colors  – I mix blues, greens, and browns from ultramarine blue, cadmium yellow, and cadmium red.
  2. Mark the horizon line. I use painter’s tape to achieve a straight horizon line.
  3. Paint the ocean water closest to the horizon darker and bluer.
  4. Paint the water in the cresting wave lighter and greener.
  5. Paint the shallow water near shore brown.
  6. Paint the sand. The sand is darkest closer to the ocean where it is wetter.
  7. Paint the crashing waves with white.
  8. Paint the foam with white and a flat brush. Horizontal lines help this area appear flat.
  9. Add shadows to the breaking wave.
  10. Paint the sky as a blue fade that is lighter closest to horizon.
Acrylic Seascape painting

Tips for Painting Acrylic Seascapes

  • Study a reference photo to identify the details that will make your seascape more realistic looking.
  • Clouds in the sky – I used an acrylic gel medium to thin out the paint and overlay colors for a more transparent look.
  • Paint lighter areas on the ocean for the sunlight
  • A dry brush can help create the spray off a crashing wave
  • Use an art sponge to make the shadows in the crashing wave look more natural.
  • Add a dark line beneath the edge of the foam to make the foam appear thicker.
Art sponge makes more natural looking shadows when painting waves

Practice painting seascapes in watercolor with these tutorials:

I share my step by step process for painting watercolor seascapes in the following tutorials. Choose the format that works best for you:

Easy Watercolor Seascape online video lesson for beginners
How to paint the ocean in watercolor and gouache | tutorial | step by step instructions | painting tips
Watercolor Seascape Painting Tutorial

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Learning Acrylics

Acrylic seascape by Eileen McKenna

In May I switched from painting in watercolor to painting acrylic seascapes. I painted ten 12” x 12” canvases – intent on getting comfortable with the different medium. It was so frustrating in the beginning, but with each painting I learned something. I’ve pulled out the acrylics again – this time with bigger canvases, and I’m reminded of what I learned so far.

What I’ve learned about acrylics:

  • A coat of gesso makes the paint go on easier
  • When your brush starts to split – you need more water
  • When your brush is drippy – that’s too much water
  • Blend the colors next to each other for a more natural look
  • Blending works best when both colors are wet
  • It is better to work when the paint on the canvas is wet and you have plenty of your colors mixed and ready
  • Add highlights by adding white paint (or lighter paint) to your brush and blending it with the wet paint on the canvas
  • To thin the paint and overlay colors use  acrylic gel medium.
  • Use little canvases (or a canvas pad) to test color mixes
  • Painting in acrylic involves more set up and prep than watercolor. And more clean up.
  • Using a sheet from a palette pad – taped to your palette – makes clean up easier!
  • It is not as easy with acrylics to make a quick fix or change
  • Using painter’s tape for a straight horizon line presents some challenges. The paint can accumulate at the tape creating an edge.

Click here to view my collection of watercolor and acrylic seascapes.

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Confidence in painting

Confidence in painting
The other morning I sat down to paint in an effort to turn my bad mood around. As I was painting, and not feeling great about myself, I was thinking how much confidence plays a part in painting. When you are feeling good, you are hopeful about the outcome of a painting as you work. But when you are feeling low, it’s easy for negative thoughts to sabotage your work. At these times it’s even hard to motivate to sit down and paint in the first place.

Thankfully, painting did help turn my mindset around and most of the things bothering me either worked themselves out, or proved to not be as bad as I let them seem.

A few days later I was reading Chip Gaines’s book “Capital Gaines: Smart Things I Learned Doing Stupid Stuff.” Chip, along with his wife Joanna, starred in HGTV’s Fixer Upper. Chip’s book is about their story, and is also very motivational. Because of my recent thoughts on confidence and painting, this quote really spoke to me:

Capital Gaines: Smart Things I Learned Doing Stupid Stuff

I’m glad that I sat down the other morning to paint despite my mood. I know that if you really want something, you have to work at it no matter what, and I’m trying to put that into practice. Check out Chip’s book here.

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Know your Subject

Knowing your subject when painting | painting the ocean
I often think about an online class I took by Val Webb called “Drawing Children.” At the time, I was amazed at how well Val knows the nuances of the faces and figures of children. Now as I paint the ocean – almost exclusively, mostly in watercolor, but recently in acrylics – I think about not just the techniques to make the painting look realistic, but the characteristics of the ocean.

As I was painting the water, specifically the foam at high tide, I was painting and pulling back the strokes, because I was thinking about how the water is being pulled back by the tide. This is something you wouldn’t know just by looking at a photo. All the time I’ve spent at the beach might be making a difference in my painting. Last summer, after painting the ocean all winter, I looked and observed the water differently than before.

Work in progress where I was “pulling back”
Know your subject - painting the ocean

My son recently asked if I was going to paint anything else. I guess to him, every painting is similar. To me I’m learning with each painting. The ocean looks so different at different times and different angles. I’m sticking with the ocean, and I’m currently challenging myself by working to capture this amazing subject in acrylics.

Click here to view my collection of watercolor seascapes. Prints are available on watercolor paper or canvas, in many sizes.

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