- Every time I sit down to paint, draw or create – whether it’s a success or failure – I learn something.
- Looking back at my lists of project ideas, helps me stay focused and complete things. And feel a sense of accomplishment about the things I can check off!
- Even the most common objects can be interesting subjects – a bottle of windex, the vacuum – lol!
- Trying again. A couple of times I’ve tried to redo a painting. The second painting wasn’t necessarily better – but you I improved certain things (and lost some things). It is interesting to compare and analyze. A great learning tool!
- To post or not to post? I went ahead and posted something I felt I had overworked and was honest about it. I loved the feedback I got!
- A weekly checklist is helpful to cover all the things I want to work on. (But it is okay, every once in a while, to throw it out the window and work on what I feel like!)
- Learn everything you can when you visit the art store. Look at their website for even more product information.
- Disposable palette sheets are awesome. Quick clean up, plus I write what paint colors and mixes I used, for future reference.
- Bloggers are so nice and supportive. Thank you!!! 🙂
- The resources to learn from other artists are everywhere – blogs, videos.
- Mixing colors leads to a less saturated color. For vibrant, bright colors – use colors directly from the tube. (It took me a whole painting to learn this!)
- Developing a style takes time and practice.
- A project can spark the idea for the next project, and so on and so on!
- Sometimes I have to force myself to finish. I would love to start new projects everyday. It is fun and exciting, but sometimes I have to buckle down and finish the lingering ones. The feeling of accomplishment is amazing!
- Hanging my paintings makes me feel good! 🙂
- Take the pressure off. I don’t sit down to create a “frameable” piece. That paralyzes me! I sit down for a “5 minute sketch” or to play with watercolor.
- Be open to inspiration – it is everywhere!
- Dedicate time to being creative. Schedule time, to make sure it happens. Life can easily get in the way.
- Step away. With a fresh eye, I notice things, I wouldn’t have, when I was deeply involved in the painting or sketch.
- Try new things. Whether it led to success or failure, I’m growing from trying new things.
- The computer can be a useful tool – for planning out projects, for analyzing color, etc.
- Keep track of paint mixes for the next painting session. I found keeping a little leftover, a paint “starter,” is helpful.
- Painting sand is very hard. Sand is many different colors and textures and changes color as you get closer to the ocean. I’m still working on this!
- Getting back into a project, after a lot of time has past is difficult. I’m afraid of ruining it and I forget where I was. BUT, once I get started on it again, I can quickly get back into it!
- Keeping a blog is an amazing motivator and I can look back and see what I was thinking and working through during each creative project!
I decided to dedicate a few hours today to painting in acrylics. But, I wasn’t necessarily going to focus on my current painting, bike on the boardwalk. I came up with the idea of setting up a couple of canvases on my table and moving from one to another. This way when I inevitabley got bored of a painting, or felt stuck, I could work on a different one. I thought this idea was quite genius!
I looked through my old canvases and pulled out a painting of a carrot, that I had started years ago, but never finished. I grabbed a blank canvas, that I had plans for, and I grabbed the bike painting. Although to be honest, I wasn’t that interested on working on the bike painting.
I sat down and started mixing paints. A few years ago I took a class with artist Joe Bucci. He taught me that you should mix your own colors (usually from thalo blue, cadmium yellow and cadmium red). You shouldn’t use mixed colors from a tube because you don’t know what colors are mixed to make that color. His thought was (I’m totally paraphrasing here, this is just what I got from the class and remember) that all the colors in a painting should relate to one other. For example, if I mix a green from thalo blue and cadmium yellow and then, I mix an orange, from cad. red and cad. yellow, add a little of the green so the orange doesn’t look so unnatural and, so, the orange “works” with the green. Who knew? Prior to the class, I was playing around with a set of 10+ colors, never thinking about how they related to one another. He made a lot of sense to me. Here is a painting I did, in his class.
Back to today, and the carrot painting. I couldn’t remember if I started it pre Joe or post Joe. As I looked at the colors in the painting and the tubes from my set, I had a feeling it was pre Joe. So, I started mixing colors to work on the carrot. I improvised a bit and started with thalo green because I thought that was the tube I had used. I thought it made sense to use it as a base color. When I mixed an orange, I added some of my mixed green, to tone it down, and so, it would work with the green. I also mixed a new brown to add to the dirt. I had decided not to use the brown from the tube, that I had originally used. As I worked on the dirt, I rembered originally working on it, and how I had struggled, because the tubes I had didn’t match the color of the dirt. Joe really opened up a whole new world to me.
I was so “into” working on the carrot – that I hadn’t touched in years – that I never moved on to another canvas! Not only that, but I finished it! And it felt great!
Order St. Patrick’s Day flair in my Zazzle shop!
When I read about Citrasolv on a blog, I was very excited. The idea that I could design anything I wanted on the computer and transfer my artwork onto wood, without messy stencils and paint, was very appealing. I came across a cool piece of wood that was originally the top of a plant stand and painted it green with accents of white.
I layed out the Irish Blessing text on the computer. I flipped the text, so it was the mirror image, and printed it. To do a Citrasolv transfer you need a laser printer, not an inkjet. I positioned the printout on my sign, (text side facing down), taped it so it wouldn’t move, and applied the Citrasolv to the back of the paper with a cotton ball. Using a spoon, I rubbed the back of the paper, trying to rub the entire poem.
Things worked better on my second try. A few spots blurred a little and some areas came out light, because I didn’t adequately rub everything, but it gives it an aged look.
Tips for doing Citrasolv transfers
- Use a laser printer
- Don’t do the whole poem at once. It’s easier to work in sections.
- Rub every area of your design.
- Don’t use too much Citrasolv.
- Raw wood works better than the smooth surface of acrylic paint.
For more on citrasolv transfer read the post that inspired me.
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What color is sand? This is something I’ve been trying to figure out, since I first started painting the beach. I’ve had some successes and some failures. I’ve sat at the beach and wondered, what color is that? I think the challenge is, that sand is different colors, even on the same beach. The dry sand furthest from the ocean is one color. As you get closer to the water, and the sand gets wetter, it changes color. Even the individual grains of sand are different colors. The sun also plays a role in the changing appearance of the sand.
In my last post, I detailed how I mixed the color of the sand (maybe in too much detail!). I wanted to keep track of the process I used, in case it was successful. Sometimes I’m not even sure if I like a color, until the paint has dried. In this painting I think the overall color is good, but I may need to tone down the yellow.
Here are some other acrylic attempts at sand. The first one is awful. The second one is an okay attempt at wet sand. I did it in a class and have no idea how I mixed it. The third one is okay, but again I don’t even know what color it is. Note to self: keep track of the colors you use!
I think I’ve been a bit more successful in watercolor, probably because I’ve had more practice. The sand in the first painting is too purple, although I like the texture of it. The second is okay. In the third painting, I am really proud of how I captured the color of the wet sand. It is one of my favorite paintings.
I came across several unfinished projects, while cleaning my office. I have a really hard time getting back into a project that I’ve abandoned. I think I’m afraid of ruining it. I forget where I was, and don’t even know where to start.
One such project, is an acrylic version of a bike on the boardwalk. I forced myself to start, even though it wasn’t easy! I had all kinds of measurements (because I was enlarging a section of a watercolor painting) and I didn’t even know what they meant! I had no idea what part I intended on working on next.
Once I got working again, things started to come more easily. I painted the railing and decided to do the sand and ocean next. I love painting the beach. It’s my favorite place. But, mixing the right color for sand and painting the ocean is really hard (for me).
For the sand, I mixed cadmium red and thalo blue to create a purple, which I added white to. This resulted in a grayish purple which I added cadmium yellow light to. In the sand area, I already had a base color, a purplish tan, which I thought might look good in the spots it will show through. I mixed a thalo blue with the cadmium yellow and added this greenish blue to my ocean area.
Here is my progress so far. Time to add the bike wheel…only slightly intimidating!
For a while, I kept meaning to paint a bike leaning on the railing of the boardwalk, with the beach in the background. Then Sandy hit and the boardwalk was destroyed. It is really strange for something that was always there to be gone. Obviously, my painting was of no priority amongst the Sandy damage.
One day I saw a couple of bikes locked to a signpost. I could imagine them leaning on the railing of the boardwalk. I ended up painting the pink beach cruiser, a bike I once owned, changing the background to the boardwalk and the beach. Since I didn’t have any great boardwalk pictures to use as reference, I painted the background mostly from memory.
Even though I always imagined the painting as an acrylic, I ended up working in watercolor. Shortly after, I started an acrylic version, which I never finished. Time to start painting…
I plan on filling this sketch book. Although it is a bit daunting! I like saving all my old sketch books and looking through them. I even keep drawings that I am embarrassed by. They show me how far I’ve come. I look at old sketches with a fresh perspective and know what is “off.” Sometimes I look at a sketch and proudly think, “I did that?” As I thumb through, I am reminded of projects I was interested in. I can add some of those to my list for the coming year.