Painting an abstract is harder than it looks!

Tree
Tree

My abstract painting sat unfinished for longer than I care to admit. I thought it would be so easy, but after I painted the background colors, I was stumped. I even tried to get my faithful readers to vote on how I should finish it. Needless to say, they were as uninterested as I was!

Finally, I’m ready to bite the bullet, and just finish! I have to admit I have been itching to buy new canvases to start a couple of new projects. But, I am forcing myself to finish a couple of the outstanding paintings: the abstract, the jellyfish, and (I can’t forget) the bike! Okay, so I may not finish all of them!

I did a couple of sketches (freehand and on the computer) to determine a direction for the abstract painting. I am most interested in #1, the bird on the branches. I’m going to search online for a stock photo, to use as reference for my tree.

4sketches canvas

I found an image I liked and started painting. The branches were a lot more detailed, than in my sketches. Every time I work on a drawing or painting of a tree, I notice I tend to make the branches going in a similar direction. To compensate for this, I’m turning the canvas, every so often. I like how it is coming out so far, but I think it needs more branches! Leave it to me to turn an “abstract” into a detailed painting of a tree. I just can’t help myself!

I finally got the hang of painting branches. I applied the blunt part of my square brush onto the canvas. I got a much more realistic limb, than when I was doing strokes with the brush.

step1 step2 step3

I’m almost there. I just need to fix a couple of the branches that look weird because they get thicker, further up the tree, which is probably physically impossible! I could add branches forever…time to stop!

almostthere

The final step is adding the bird. I’m nervous about where to place him! In the end, I don’t think this painting qualifies as an abstract! But, I’m happy with how it turned out. (And that it is done.)

 

How my office turned into my studio

Recently, I started hanging my finished paintings in my “studio.” The studio was originally “the office,” until the easel arrived. Then, I started calling it the studio. Makes me feel like a real artist! I feel proud when I glance over and see what I’ve accomplished. The wall motivates me. Plus, the wall, was a plain, boring thing, before the paintings brighten things up!

wall

Another benefit to hanging my work, is “seeing” my development. I try to learn from my mistakes, but not to fixate on them. What’s done is done. I love the orange I painted awhile back. Shortly after it, I tried to follow up that success with limes, but I don’t like them as much. The limes are too flat looking. There isn’t enough shading to make it 3D looking. When I look at my apple, I feel like I made a giant leap forward.

orange limes apples

One thing I need to do, is sign my paintings! My drawing teacher, Eva, always stressed, “Sign your work!” Before the Tootsie Roll painting, I hadn’t signed most of my paintings. I didn’t feel confident signing with a paintbrush. I knew it was a mistake, to not do it then, because I had all the colors mixed and ready. Now, I’m not sure what color I’ll sign them in. Do most painters sign in black? Awhile back I signed a couple of paintings with a paint pen and immediately hated the way it looked. It wasn’t loose enough. You could tell, I didn’t use a paintbrush. When I finished the Tootsie Roll, I practice with a couple of small stiff brushes, and was able to do a decent signature. But, I still need practice. Nothing finalizes a painting, like signing your name!

I’ve also been organizing the office (I mean the studio!). It’s therapeutic to clean, organize and get rid of the clutter. I feel inspired looking through my old stuff and it reminds me of projects I was interested in, but didn’t pursue…yet.

I have a bulletin board that runs the length of my counter top. I’d like to better utilize it as a “project board,” and include reference photos, notes, and inspiration for current and future projects. I spent time on the project board this morning, and I’m already, loving the results! Notice, front and center is the bike, which I have yet to complete. Hard to forget about it now!

Spending time on my workspace, helps me work more efficiently. It clears my mind. Now, I feel ready to get to work!

project board 2

Painting Candy

Happy Valentine’s Day! When I think of Valentine’s Day, I think of love…just kidding…I think of candy!! I love candy. I love sweets. I am a sugar addict. Recently, I was looking through my artwork and I had to laugh at all the sweets I’ve drawn and painted.

Colored pencil:

gumball machine cupcake

Acrylic paint:

hard candy

My favorite candy is Tootsie Rolls. Years ago, I started a painting of Tootsie Rolls and of course, never finished. I decided to dust it off and finish. Sometimes it’s hard going back to an old project. I’ve learned a lot since I started this painting. If I was doing it from scratch today, I would paint it differently.

Tootsie Rolls tootsie1

I decided not to over think it, and move forward with what I have. It was an ambitious project, from the beginning, trying to paint the lettering correctly. That is probably why I put the project aside – I got to the hard part. Originally, my plan was to print something to use as a stencil for the lettering. I’ve decided not to do this, but to do my best, and freehand it. I wish I had a bag of Tootsie Rolls to inspire me!

I used a small stiff brush and white paint, that wasn’t too heavy. I decided to sketch in the placement of the letters and then, fill them in. I realized my Tootsie Roll shape was too long, but as I said, I’m trying to do the best with what I have.

tootsie2 tootsie3 tootsie4 tootsie5

I also realized that, there are letters all over the painting, not just on the primary Tootsie Roll. Ugh, I don’t think I’m going to do those too. I’ll have to tone down the Tootsie Rolls in the background. So, they are not so obvious. I’m also going to have to mix more brown paint, whether I want to or not. I stacked my canvases, probably not a wise idea, and they stuck together in spots. When I separated them, the paint came off.

This project reminds me of the artist who paints in Walmart. He literally pushes his supplies around in a shopping cart and stands in the aisles painting. I especially love his close up paintings, of different packaging.

I filled in the letters a few times, then I mixed brown and refined the edges of the letters. I applied the brown all over, then, mixed a lighter shade to put on the front side of my Tootsie Roll. I used a brownish white for the “Roll” letters on the farther side of the Tootsie Roll. I went over the main Tootsie Roll letters on the front side again. I was getting a little crazy with it. I knew it wasn’t perfect. I tried to remember the “Walmart” artist, and how he paints the logos very loose. I put a brownish wash over the letters to tone down the white.

tootsie6 tootsie7 tootsiealmost

I had to touch up one area, of the letters, that was driving me crazy. Okay now, here is the final painting. It’s probably the Graphic Designer in me, but I find packaging interesting. An idea for the next painting – a can of Redpack Tomato Puree. How very Warhol that would be!

Tootsie-Roll-final

Procrastination and Painting

Today was the first day, in weeks, that I’ve had a quiet house, all to myself. The kids were at school, and my husband was at work. Perfect day to paint, right? Right! After a second cup of coffee, it was time to get started.

But, first I had to clean out my pocketbook, throw in a load of laundry, clean my palettes, find tissues, and search for ‘8os music. What? It seemed like I was doing everything to avoid starting. And the ’80’s music? I have no idea, where that, came from. But, after I got a pandora station playing ’80s alternative music, I was a happy camper and got to work. (After I found hand cream and cleaned the papers off my desk!)

Over the weekend, I painted a purple/blue medium tone for the base coat of my jellyfish painting. As I mixed the color, I thought, “How much should I mix?” Ironically, I had to mix the color, no joke, four times. I, obviously, underestimated how much paint, the raw canvas needed! The color wasn’t the same every time I mixed it, but the base color will be covered, for the most part.

As I worked, I focused on being neater. I took the time to set up the area around my easel. Each time I work with the easel, things go smoother. But, the easel is still a little unstable. Could it be that extra screw, I didn’t use?! Read my recent post and you’ll see why I don’t read instructions! Part of my homework for next time is to fix this problem.)

As I was mixing my colors (from thalo blue, cadmium red, and cadmium yellow), I realized that I may not be able to achieve the electric purple in the photo. I may have to incorporate a premixed color. Not only was I struggling with the background color, I was struggling with the color of the jellyfish. I printed a reference photo and marked a simple grid on it. On my canvas, with painters tape, I marked the same halfway points. I wanted to make sure that the jellyfish, were in the correct spots. I “sketched” the shapes of the jellyfish (using paint).

jellyfish2b

I may have procrastinated starting, but time flew as I worked. I painted for almost two hours, and I think I accomplished a lot. I didn’t achieve the bright purple background color, but I’m happy with the color I have.

jellyfish3

I was so focused on cleaning up, that I almost forgot to write my plan for the next day. Through the process of writing this blog, I’ve come to realize how important, for me, a plan is. For the jellyfish painting, my plan is to work on refining the color of the jellyfish. Since I’ve been struggling, I’m going try using the eyedropper tool, in Adobe Photoshop, to help me pinpoint the colors in the photo.

Is my astrological sign affecting my painting?

I had a bit of an epiphany, while I was working on my apple painting. I’ve written, several times, about how I get anxious on day two of a project. As I wrote in my last post,

“(On) day one, I’m excited and enthusiastic. Day two, I’m reluctant, anxious, intimidated…I have to push myself to continue with a project.” I forced myself, to get back to work on the apple painting, and as I worked, I came up with a plan for the next day. “I realized having a plan, made starting up easier. I didn’t feel as intimidated. Also, I know from experience, once I get started, I’m usually fine. I now know, that, before I step away from I project, I need to have a plan for the next day.”

I decided to search online, for traits that apply to my sign, Aries. I’m not that into astrology, but I couldn’t believe how dead on the description of Aries (on Huffington Post) was.

Aries motto is “Ready, fire, aim!” It may be backwards for others, but you’d rather figure out what to do while you are doing it. Impulsive actions, however, can bring you your share of trouble. While others are gathering information to make informed decisions, you are already on your way. As such, you could suffer from false starts. In fact, you Aries are so good at starting things that you can be off onto your next project before completing the previous one. As you Aries mature, you learn to slow down your reaction time in order to think about the consequences of your actions.”

That is totally me! Whenever, I try to put something together, and hit a snag, my husband will say, “Did you read the directions?” I, of course, am like, directions? Who needs those?! Obviously me, that’s why I’ve hit a snag!

The part about starting projects, but then moving on, really hit home. Since I started mycreativeresolution.com, I’ve been forcing myself to finish projects and it has been really satisfying.

For me, the “Ready, fire, aim!” motto, is so true, and may be the reason, I had all those unfinished paintings. I start a project, but get to a point, where I’m not sure how to finish. Instead of working through it, I put the project aside. This just reaffirms how important “a plan” is (and yes honey, those instructions). I will no longer, step away from a painting, without thinking about what the next steps are.

Today, I finished my apple painting. Words can’t describe how good it feels. I was a little nervous finishing, because I felt so close, and I didn’t want to ruin it. But, I had a plan (to add paint to the stem and the area behind the stem) and I executed it. Yeah me!

apples

I also started the jellyfish painting, that I’ve been planning, since I took this photo. I covered the canvas in a medium tone blue/purple. The plan for next time is, to sketch in (with paint) the jellyfish and then add the water around them. I’m excited!

jellyfish basecolor

Check out your sign’s traits at:
http://www.huffingtonpost.com/horoscopes/

  • Select your sign
  • Scroll down to “about the sign”
  • Enjoy! Let me know if anything rings true for you!

I wish there was an “undo” button, while I’m painting

I was very excited to try out my new easel. I was less excited, to continue painting my apple. I need to coin a phrase, to describe the feeling I get, on day two of a project. Day one, I’m excited and enthusiastic. Day two, I’m reluctant, anxious, intimidated. Whatever the word, I have to push myself to continue with a project. Do other creative people feel this way?

Regardless of how I was feeling, I got to work on my apple. I set the easel up near the window, for natural light. Logistically, it was a nightmare. I was so far away from my palettes, with my mixed paint. And even further from the computer, where my reference photo was on the screen. (The color is never as good when I print it.) I stood at my easel, and every time I tried to get closer to the painting, I’d kick one of the legs and the whole easel would tilt.

I was working on the bottom quarter of the painting, the table, where the apples sit. In order, to be able, to paint the bottom edge, I turned the painting upside down. My acrylic painting teacher told me, to make an area (like a table) less flat looking, paint it dark to light or warm to cool (or the reverse of either). I decided to darken the table as I got closer to the apples. I also added in some greens, for the stem and the area around the seeds.

I was, feeling all over the place (literally), and I was in a rush, as I had to leave the house at a specific time. As I was adding a bit more paint, before I left, I literally said out loud, “I have to stop, I’m ruining it.” Before I left, I turned the painting right side up.

While I was out, all I could think about, was that I ruined the painting. I loved it the first day. Maybe I shouldn’t have done the gradual darkening of the table? Maybe I should have left it “flat” looking? Isn’t that a painting style?

I wish there was an “undo” button. When I work, as a Graphic Designer, any time I don’t like the last couple steps I’ve taken, I just click “Edit, Undo.” There is also “Edit, Step Backward,” and “Revert to Saved.” Basically, there are tons of ways, to go back to where you started. Sometimes, while painting, I wish I had one of these options.

A funny thing happened when I got home. I turned on the light, saw the apple painting on the easel, and thought, “Wow, it looks good!” I was so surprised.

A couple of days later, when I had time to paint, I knew what area I wanted to work on. I realized having a plan, made starting up easier. I didn’t feel as intimidated. Also, I know from experience, once I get started, I’m usually fine. I now know, that before I step away from I project, I need to have a plan for the next day.

Working with the easel, was much better, the second time around. I printed my reference photo and hung it near the easel. I brought my palette to the easel, instead of walking back and forth. Be prepared to laugh. I realized the curved area on either side of my easel, is so I can comfortably hold it! I sat on a stool and didn’t kick the easel once!

palette

As far as the painting itself, I darkened the background directly behind the apples. I added details to all the apples. The only thing I need to finish, is the stem and the area behind the stem. That is my plan, and I am excited to attack it next time!

applepainting

Do you paint flat or use an easel?

easelnew
With a background in drawing and painting in watercolor, I was used to working flat at a table. When I showed up for my first acrylic painting class, I was (almost) surprised to find that everyone had an easel to work at. It felt strange painting at an easel – holding my arm up in the air. After the class ended, I continued to paint more and more in acrylics, always flat on a table or on the floor. I began to wonder if I should be using an easel. Some online research (on http://www.about.com) revealed some interesting points including, “work vertically, because the painting will be displayed vertically.”

Things to consider when deciding to work flat vs. at an easel:

  • How large do you work? It’s easier to work on an easel with larger paintings than a table.
  • Viewing your painting. You can back away from an easel, to “take in” and view a painting, especially the larger ones.
  • Do you add fine details? I find it easier to add details when the painting is flat and I can lean on the canvas.
  • Acrylic vs. oils – Oils take longer to dry and dust can be an issue as it dries when a painting is laying flat.
  • Do you have a dedicated space for an easel?

I invested in an aluminum easel. It’s lightweight but sturdy and folds up for storing. Learn more here. It looks so professional, and I love displaying my latest painting on it! There’s even an arm that extends to hold my brushes and palette!

Want to explore creativity? My new ebook takes you step by step through the process for introducing regular creativity into your life, finding inspiration, and exploring mediums. Learn more about Creative Exploration: A Six Week Process for Introducing Regular Creativity into your Life by clicking here.

Creative Exploration book -

creative newsletter featuring artists crafts tutorials books shows and more | creative inspirationBeginner Watercolor Painting Instructional PDF "What you need to know to get started with Watercolor" Beginner Printable Introduction Easy Starfish Watercolor Painting for Beginners | Learn Watercolor Techniques

I want to hear from you! How do you prefer to work?
(To date, 90 people have completed this survey and 79% prefer to work flat.)

This post contains affiliate links to products/brands I use and recommend. I earn a small commission whenever you buy using these links, at no additional cost to you. Thank you for supporting my blog!

Coming up with ideas and finding inspiration for art projects

Although the other day, my breakfast – a sliced apple, inspired a new art project, ideas are not always so easy to come by. I sometimes get frustrated, when I want to work on a project, but don’t know what to do, or where to start. Here are some things that help me, when I have “artist’s block.”

  1. Take a walk. Whether it is a walk in a nature preserve, along the beach or through the neighborhood, walks can help you see things, you normally don’t have time, to notice. Take a picture! I’ve created several projects based on things I’ve seen on walks – a weathered fence, a zigzagging beach fence, a shell. On a route through the neighborhood, I see an old weathered garage, that reminds me of a barn. I’m often tempted to draw or paint it and add in a horse.
    beachfence
  2. Go to the library – an endless supply of art and how-to books, and magazines. I have to admit, the library is one of my favorite places. I often go there and sit down with my favorite magazine, “Country Living.” It definitely inspired me, during my “rooster” phase. Why else, would a girl, from the suburbs, paint and draw so many roosters!
    rooster2
  3. Find a photo. Look in magazines, catalogs, the internet or your own photo library. We can’t always photograph, every idea we have. Stock photography websites, allow you to “search” for photos of specific things. Tear out and keep photos, for future projects, when you see something that catches your eye.
  4. Read about other artists (in books, magazines and the internet). I love reading about other creative people, no matter how different their craft is. There is something inspiring about people, who focus and succeed at what they love. I aspire to be that type of person. I love learning about each artist’s creative process.
  5. Just start. Sometimes it helps, to just get started. Start doodling or painting and see what evolves.
  6. Keep a list of ideas. Without lists, I would forget all my ideas. I recently came across a list, that included the word “jellyfish.” It reminded me of the cool jellyfish I took photos of, at an aquarium, and wanted to paint.
    jellyfish
    I make lists on scrap paper all the time, but now I’m trying to use a notebook. This way, all my lists are together and I won’t lose any great ideas. I often thumb through my notebook, to look back on what I’ve written. I feel very accomplished, when I can check off a project I’ve completed.
  7. Look through old sketchbooks. I try to keep everything, because I enjoy seeing the progress I have made through the years. Sometimes I find an incomplete project or an idea, that I never fully developed.
  8. Have coffee with friends. I am lucky enough to have two great neighbors. I always feel inspired after getting together with these special friends. I hope I inspire them, and encourage them, half as much as they do me! They give me the positive reinforcement, I sometimes need. (Anyone out there want to leave a comment? please? lol!) Find a creative friend, or two, and get together with them. When you share your ideas with others, you can get great feedback, from different points of view.
  9. Go shopping! Walking through a home store, art store, or even a garage sale can inspire me. Whether I get a specific project idea or just get excited to work on something, it feels good.
  10. Go outside. When the weather is nice, I often sit outside, and sketch leaves, flowers, etc.
    redcoreopsis
  11. Keep your eyes open. Ideas can come, at any time, from unlikely places. While watching TV, I saw a painting of an orange slice, on Modern Family (in Gloria and Jay’s house) and was inspired. I decided to work on an orange slice of my own, which led to limes and, currently, an apple slice.

It’s funny, sometimes there isn’t enough time, for all the ideas and projects I want to work on! How do you come up with ideas?

Starting an Acrylic Painting

Before I start a project, I usually have a spark of inspiration. For my new painting, the “spark” came from my breakfast! I cut an apple in half and thought, “That would make a cool painting!” I’ve painted fruit before. One of my favorites is of oranges. The inspiration came from a painting I saw on Modern Family. It hangs in Gloria and Jay’s house. After that, I painted limes, which I don’t love half as much as the oranges.

orange limes

I took several photos of my apple, to have for reference. I cropped the photo and added a grid, to help me transfer it to the larger canvas. I often turn the photo and canvas upside down, to make sure I am drawing things correctly. I’ve heard it said, that turning things upside down, uses a different part of your brain. I definitely think it’s easier to dissect something upside down. You see the lines and shapes instead of (in this case) an apple. I think it works especially well with faces and bodies.

grid

Before I draw on the canvas, I cover the canvas with a medium tone that I think will work well when it shows through (other layers of paint). For this painting I used an orange/yellow color. I never really know what color to paint the edges of the canvas, but I paint them at this time. This way they are covered and I can always add paint later.

basecolor

A while ago, I read an interesting book, “The Acrylic Painter’s Book of Styles and Techniques” by Rachel Wolf. What I liked, about the book, was learning how different people work. Some painters cover the canvas, in one color, first. Some painters draw in detail, before they start painting. A painting class greatly influenced my process. Before the class, I worked mostly in watercolor. I know it sounds silly and basic, but I learned, in that class, how to hold and stroke, with bigger brushes. In watercolor, I was using smaller brushes and it was similar to drawing and holding a pencil. I also learned all about mixing colors. The rest of my “process” is developing as I spend more time painting.

When my base color was dry, I used vine charcoal to sketch out my composition. I tried very hard not to center the apple on the canvas, but no matter what I did, it seemed to fall mostly in the center! I am vowing here and now, not to use charcoal again. My teacher recommended it, but it is messy and hard to get off. I don’t really understand the point of it, if I’m going to erase it! If I don’t erase it, it mixes with the paint. I am probably doing something wrong. After I erased most of the charcoal, I started “sketching” with paint, which worked much better. And, as long as the paint is still wet, I can use a wet brush to “erase” any part of my “sketch.”

orangebase applesketch

After the sketch was completed, I added some of the color. The whole process, not including drying time between steps, was fairly quick – less than two hours. I was pretty happy with what I had accomplished! The next day, I realized, that this is the point, where I usually put the canvas on a shelf and walk away. For some reason it is hard for me to finish. I previously thought it was boredom. I think I am worried about ruining it and am unsure how to proceed. This month, I’ve worked hard to pick up some of these forgotten projects. Doing this, has taught me, that although it is hard to start, within minutes, I’m back “into” the painting. I am committed to finishing the apple!

apple1 apple2 apple3

apple4

I have another painting – an abstract painting – that I’ve been trying to decide how to finish. My problem with this painting is, I didn’t have a well thought out plan from the beginning. I’d love your input on how I should finish it – just fill out my online poll!