I added some darks to the rocks and a bird and now I’m considering this one done! Feels particularly good considering this one almost was completely abandoned.
Here are some progress shots:
I added some darks to the rocks and a bird and now I’m considering this one done! Feels particularly good considering this one almost was completely abandoned.
Here are some progress shots:
Preoccupied with other things, I didn’t sit down to paint much this week. So, it feels particularly good to make some progress on this painting today. This painting has been hanging around for a few weeks. It was definitely at risk of going into the scrap pile. But I try to give each one a chance. I know from experience that even the worst beginnings, can surprise you in the end.
I’m thankful for today’s snow day and the break from everyday life. That and a few days of sketching figures gave me the push to finally finish this beach scene with the three girls playing in the surf. I’ve been afraid to finish this one – afraid of ruining it. As I sat down to work on it, I thought, “Done is better than unfinished, no matter what the result.” And the more I work on painting figures, and getting the shadows right, the more I’ll learn.
Stages:
I use watercolor pencils to draw the figures. Just wet the lines and it disappears!
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When I think about the progress I’ve made in the past two months, there are a few things that standout out to me. First watching videos of other artists painting waves gave me some great tips (which I wrote about here.)
Second, one of the artists was using a flat brush so I bought a couple to try. The smaller flat brush has become invaluable to me.
Lastly, when I started using white gouache for the foam of the waves it was a turning point.
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There is a real benefit to painting the same subject over and over. You get better at it, and after trying different things, over time you develop a process. You develop a series a steps that you follow every time you paint.
Here is a summary of my process. Keep reading for links to more in depth resources.
I share my step by step process for painting watercolor seascapes in the following tutorials. Choose the format that works best for you:
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Read “Tips on Painting Waves in Watercolor”
The Beginner Watercolor Exploration Guide is for you! And it includes the Watercolor Seascape Painting Tutorial!
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Painting this beach heart was as peaceful and relaxing as sitting on the beach itself. Before I sat down to paint I was looking through my work for something to post on Valentine’s Day. I usually don’t post things from my archives – not that there is anything wrong with that. It just sometimes feels disjointed from what I’ve been working on.
With Valentine’s Day and hearts on my mind, I sat down to paint and thought of a beach scene in the shape of a heart. I think practicing, and working out a process for painting the beach, was a great help in painting the heart from start to finish in one sitting. Ah the sense of accomplishment!
Have a happy Valentine’s Day!
I’m proud of the progress I’ve made since starting to paint the beach on January 1st. I feel as if I’m finally capturing the movement of the waves. But something has been missing. Around here on a beautiful summer day the beaches are packed with people. Sometimes we struggle to find a good spot down by the water.
So, I’ve been collecting my photos that include people and trying to incorporate them into my paintings. Last night I did some loose brush sketches.
Today, I worked on refining the water in a painting where I had penciled in several people. Then I erased the pencil lines and using a watercolor pencil drew in the figures so I knew where to add paint. Figures don’t come easy to me and I have to work at a figure to get it right. Watercolor pencils are great because it’s easy to “erase” your lines by wetting them. You can mix the lines into the other colors or absorb them onto your brush.
I’m hoping if I focus on beach bodies for a while, I’ll see progress, like I’ve seen with my waves.
Here’s my favorite wave painting so far.
Have your read these posts yet?
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This month I worked almost daily painting the beach. It’s a place that is very close to my heart. I grew up just a few blocks away from it. My mom referred to it as our backyard. I played there, I worked there, and eventually brought my own kids there.
I learned a lot this month. I’ve tried different techniques to capture the foam of the ocean – leave the white of the paper, use a white gel pen, use lots of white gouache. I’ve used different blues in my ocean mixture. I painted landscapes, as well as people close up. But, I feel it’s just the tip of the iceberg. There is so much more for me to learn and explore within this theme. So, not surprisingly, I’m continuing with my beach painting project. It probably would have been better to declare this a 100 day project from the start. Although that would have been a bit intimidating.
Almost a month focusing on one theme has given me time to try new techniques and tools, including:
Some of these ideas I get from others like the painter’s tape tip and the white gel pen. It has become part of my style to add details with a black gel pen. But when I paint an ocean landscape the black ink seems to dark. It just doesn’t work. A few months ago I saw a post – I wish I could track down this source! – of an artist using a white gel pen when painting the ocean. Wow, that might be the answer to my dilemma! I didn’t hesitate and ordered the pen. It sat relatively unused until today.
I find the foam a bit of challenge and the gel pen is a unique way of handling it. I was hesitant to use it, preferring to leave areas white for the foam. But this particular painting wasn’t going so well and I thought, “What do I have to lose?”
I really like how I could scribble away and create the look of the foam. One book I read recommends using masking fluid to keep the foam areas white. Personally I’m not that much of a planner or that meticulous. I like to wing it a bit. That’s probably why I love painting in watercolor so much. It’s not so permanent. You can add in one area, and take away in another, and continue to work at a painting – that may not be going well – and possibly turn it into something beautiful.
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