Learning with each painting

finalhydrangea
This Hydrangea was definitely a challenge. But whatever the outcome of a piece there’s still a takeaway – I learn something. When I multiply the number of sketches and paintings I’ve done since committing to my creative resolution (prob. between 315-400) and think of all I’ve learned (big and little things) – I am amazed.

While working on this piece, with all the little details of the flower, I thought, “This is hard.” But, it’s good to try hard things, it makes us better. And sometimes a piece isn’t about the final product, but about the process and the takeaway.

Here are my steps:
Wash, Ink, More Watercolor, More Ink
hwash haddinginkhink2hmorewatercolor

I worry that I overworked the final – too much ink. What is my takeaway from this piece? Hmmm. As I struggled to capture the dome of the hydrangea, I studied the photo, again and again. Should I have planned the piece out more from the beginning? Studied the photo before starting? I’m the girl who doesn’t read the instructions. Who dives right in and then tries to figure things out.

From the start I was fixated on the details of the flower petals – the shapes. In addition to this “detailed” thinking, I should have pulled back and thought about other “overall” elements before starting.

Poppies & Practice

poppy
A few years ago, I went with my husband to MOMA (The Museum of Modern Art) to see an exhibit of Georges Seurat’s drawings and sketches. I was amazed at how many “studies” he did before he painted the famous “A Sunday on La Grande Jatte.” He painted the lake and the lady with the parasol separately several times. He also did many sketches of the people in the painting.

Yesterday I painted a pattern of Poppies in my sketchbook. Then I did one Poppy on watercolor paper. There were things I wanted to change and improve upon, so I did another version (above) of a single Poppy. I’m really happy with it which shows me that sometimes you have to study and practice a subject to get it right.
poppysketch

Painting loose and messy! #watercolor

watercolor jellyfish
It’s amazing how we are influenced by things and they stick with us. I saw this Koosje Koene video back in March of 2014 (courtesy of Inkophile) and it still has an effect on my work! Splashy backgrounds have become my “thing.”

Back when I was taking a watercolor class, I worked so “tight!” I was trying to make things look perfect. Instead they looked stiff. Now I love painting loose and messy.

Here are two other pieces I’ve created recently. Follow me on Instagram to see my latest projects. 🙂
icecream guitar

Sandcastles (My May Pattern)

sandcastleEM
Sandcastles is the theme of my May pattern (I know, I know it’s already June). I’ve been working extra hard on this pattern because I’m entering it in a Spoonflower contest. This week’s theme is sandcastles and it’s so fitting this time of year!

With Memorial Day behind us, I can’t help but think of beach days! We are counting down to the end of the school year and making our Summer plans. We are lucky enough to live 10 minutes from the ocean. I grew up in a nearby beach town and as a kid, I spent my entire Summer on the beach. When I was old enough to work, it was as a ocean lifeguard.

When I saw that Spoonflower’s pattern contest was a sandcastle theme, I had to give it a try. You know I’m obsessed with creating patterns these days! This would be my first entry into a Spoonflower contest.

Below is my first draft. I made some edits, because I felt there was too much sand and it needed more details. Voting opens Thursday (spoonflower.com). 🙂
sandcastle

A Second Try – the painting redo

gerbera2nd
It’s happened to all of us. You get inspired by something, you sit down to paint, you finish, and then you look at it and see the mistakes. Ugh. I have to admit, sometimes I don’t notice the mistakes until I take a photo of the final piece for Instagram. For some reason seeing it as a photo, gives me a different perspective on the piece.

So…you made a mistake and you aren’t happy with your painting, now what? Do you dive back in and try again or say “Oh well.” For me it depends. A big factor is how long I worked on the piece. If it was a quickie, like the Gerbera Daisy below, I’ll dive back in. I also weigh how big of a mistake it was. I’ve learned over time, that I’m very critical of a piece right after finishing it, because I’m still “in it.” Several days later I’m much less critical.

For me, the mistake of adding 2-3 extra rows of petals was too big to ignore. I was so happy with the painting until I “saw” what I had done. I had gotten carried away. I immediately started another version.
gerberrows

I’ve had this dilema before and wrote about it, here and here. What I realized back then, is that painting a piece over doesn’t ensure success. It doesn’t ensure a better version. I might correct some mistakes, but lose other good things about the first version.

Do you paint a new version when you make a mistake?

Revisiting an unfinished painting.

girldiggingnew
I’ve been playing around with what I’m calling a “practice canvas” (see below) – a painting I never finished, didn’t like where it was going, and recently started mindlessly dabbling with (on). I’ve enjoyed this. While I’m comfortable with watercolor, acrylics still feel new to me. Playing around with this “practice canvas” has pulled me back to acrylics and to another unfinished painting.

Here’s the practice canvas, although now it is unrecognizable!
  practice1 practice2

Looking through my other canvases, I found an unfinished painting I call “Little Girl Digging.” Even though, I was happy with progress on this painting at the time, I set it aside. Probably because after “sketching” out the figure I wasn’t confident on how to proceed.
girldiggingrev

So this past weekend, I decided to work on it again. I wanted to see if I could get the little girl to pop off the sand. I had some success (first picture in this post), so I’m motivated to continue working on it. We’ll see! 🙂

Just get started…and the ideas will come.

settingup
I try to paint or draw everyday. The first step for me is to pull everything out of the closet and set it up on the kitchen table. This seems like an obvious step, but my point is I don’t wait for that bolt of inspiration to strike.

Occasionally, I know what I’m going to paint as I head for my supplies. More often, as I pull out my sketchbook and paints, I think, “I have no idea what I’m going to create,” followed by, “oh! I can paint [blank].”

I know if I don’t pull out the paints, nothing will get done. It’s rare that I’m about to put pencil or brush to the page, and I still don’t know what I’m going to do. The process of pulling everything out and setting up, usually allows an idea to form. I think this is only possible, because I stay open to inspiration. When I see something that strikes me, I take a picture – even at the supermarket! These inspirational moments are in the back of my mind. I guess you’d say I’ve done my homework.

Gerber Daisies at the supermarket:
supermarketpic

startofgerbergerbersupermarket

I’ve written several posts that relate to this topic of “What to paint?”

I remember very clearly the moments before I started working on two of my favorite pieces from last year. I sat down to draw and had no ideas. In both cases I stepped outside to the backyard and looked around. In one case I took a photo of the Montauk Daisies and went back inside to paint them. The other time, I collected a couple of leaves and other things and brought them inside and started to paint. You really don’t need much to get you going.

With watercolor, the painting often needs to dry between layers. So I leave everything setup all day, and from time to time, sit down to add details. It works better for me to finish in one day. If too much time goes by, my interest wanes, and the chances of finishing decreases.

My Process:

  • Setup
  • Decision on what to paint*
  • Start
  • Get in the “zone”
  • Add finishing touches throughout the day

*Sometimes my first idea isn’t the painting I continue with that day. It’s more of a warm up. But more often than not, I stick with that first idea.

How do you decide “What to Paint?” I’d love to hear! 🙂

I took this picture while I was out running. Maybe it’s my next painting…
futureflower

 

I’ve hired myself :)

A while back I mentioned that I started a marketing/graphic design blog for my business. What I didn’t mention is that I’ve been creating illustrations for most of the posts! I did share one of the illustrations here, in the post Painting Digitally. That illustration set the tone for the style I’ve used for the rest of the illustrations. I decided it was wise to keep things somewhat consistent and I like the motivation to work digitally. I usually avoid the computer when I’m illustrating, because I spend enough time on it when I’m doing Graphic Design.

Although it takes time, I enjoy creating the illustrations and I think it is good practice if I’m to have a future in editorial illustration. Plus I only charge myself a small amount – ha ha.

Illustrations for Marketing/Graphic Design blog:

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